The collection explored variations on a theme of escape and was inspired by books, such as Jack Kerouac’s “On the Road” and Jon Krakauer’s “Into the Wild.” This meant protection first and foremost, realized in exaggerated funnel-neck collars; simple modularity; voluminous, cocoon-like silhouettes; and intensive quilting on everything from hoods to coats to leggings. In classic Yohji Yamamoto fashion, prints and patches on select garments spelled out the collection’s theme, stating phrases like “Nowhere in Particular,” “Homeward Bound,” and “I’m on the Road.”
Ultimately, the show was about the journey not the destination, and the clothing was designed with this in mind. Y-3 for men followed a similar trajectory, showing army parkas, striped union suits, quilted work jackets in suede and wool, and cotton leggings inset with panels of Fair Isle knits.
Y-3 presented two new breakthrough fabrics: Cool Max Wool, breathable wool with an evaporative cooling system, and Diaplex, a wool herringbone bonded to Goretex that molds itself to the body, becoming like a second skin.
On the accessories front, Y-3 underscored the collection’s themes of warmth and comfort, showing oversize hooded scarves, quilted nylon hats, and gloves belted with three pieces of leather—a subtle play on the three-stripes tradition. Shoes for men and women combined the technical expertise of Adidas with classical shapes and materials, like a Japanese warrior boot with a cutout sole for men, and an “origami” wedge heel for women.
“Traveling means coming back home,” Yamamoto explained backstage of the show’s inspiration. “We are always unconsciously wanting to come back. It is one of man’s strongest desires.”
See the runway shots here.
Text Courtesy Image.net.